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From London to Land's End by Daniel Defoe
page 17 of 117 (14%)
The choir of the church appears very magnificent; the roof is very
high, and the Gothic work in the arched part is very fine, though
very old; the painting in the windows is admirably good, and easy
to be distinguished by those that understand those things: the
steps ascending to the choir make a very fine show, having the
statues of King James and his son King Charles, in copper, finely
cast; the first on the right hand, and the other on the left, as
you go up to the choir.

The choir is said to be the longest in England; and as the number
of prebendaries, canons, &c., are many, it required such a length.
The ornaments of the choir are the effects of the bounty of several
bishops. The fine altar (the noblest in England by much) was done
by Bishop Morley; the roof and the coat-of-arms of the Saxon and
Norman kings were done by Bishop Fox; and the fine throne for the
bishop in the choir was given by Bishop Mew in his lifetime; and it
was well it was for if he had ordered it by will, there is reason
to believe it had never been done--that reverend prelate,
notwithstanding he enjoyed so rich a bishopric, scarce leaving
money enough behind him to pay for his coffin.

There are a great many persons of rank buried in this church,
besides the Saxon kings mentioned above, and besides several of the
most eminent bishops of the See. Just under the altar lies a son
of William the Conqueror, without any monument; and behind the
altar, under a very fine and venerable monument, lies the famous
Lord Treasurer Weston, late Earl of Portland, Lord High Treasurer
of England under King Charles I. His effigy is in copper armour at
full-length, with his head raised on three cushions of the same,
and is a very magnificent work. There is also a very fine monument
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