was already prepared for them; the setting and stage were ready, the
prompter, and who was he? was in the box ready to tell them the next line
if any of them faltered. The prompter, surely he was destiny, fate, the
irresistible course of events, with which no man can struggle, any more
than the actor can struggle with or alter the lines that are set down for
him. He may mumble them, he may act dispiritedly and tamely, but he has
undertaken a certain part; he has to go through with it.

Though it was a populous hour of the day, there were but few people
abroad when Mr. Taynton came out to the sea front; a few cabs stood by
the railings that bounded the broad asphalt path which faced the sea, but
the drivers of these, despairing of fares, were for the most part dozing
on the boxes, or with a more set purpose were frankly slumbering in the
interior. The dismal little wooden shelters that punctuated the parade
were deserted, the pier stretched an untenanted length of boards over the
still, lead-coloured sea, and it seemed as if nature herself was waiting
for some elemental catastrophe.

And though the afternoon was of such hideous and sultry heat, Mr.
Taynton, though he walked somewhat more briskly than his wont, was
conscious of no genial heat that produced perspiration, and the natural
reaction and cooling of the skin. Some internal excitement and fever of
the brain cut off all external things; the loneliness, the want of
correspondence that fever brings between external and internal
conditions, was on him. At one moment, in spite of the heat, he
shivered, at another he felt that an apoplexy must strike him.

For some half hour he walked to and fro along the sea-wall, between the
blackness of the sky and the lead-coloured water, and then his thoughts
turned to the downs above this stricken place, where, even in the