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Further Foolishness by Stephen Leacock
page 56 of 238 (23%)
how they make it do that? I guess they turn the wick of
the lamp down low: that was the way in Robinson
Crusoe--Flick, flick!

Hullo! where on earth is this--farmhouse, I guess--must
be away upstate somewhere--who on earth are these people?
Old man--white whiskers--old lady at a spinning-wheel--see
it go, eh? Just like real! And a young man--that must be
John Holdfast--and a girl with her hand in his. Why!
Say! it's the girl, the same girl, Madeline--only what's
she doing away off here at this farm--how did she get
clean back from the bedroom to this farm? Flick, flick!
what's this?

"NO, JOHN, I CANNOT MARRY YOU.
I MUST DEVOTE MY LIFE
TO MY MUSIC."

Who says that? What music? Here, stop--

It's all gone. What's this new place? Flick, flick, looks
like a street. Say! see the street car coming along--well!
say! isn't that great? A street car! And here's Madeline!
How on earth did she get back from the old farm all in
a second? Got her street things on--that must be music
under her arm--I wonder where--hullo--who's this man in
a silk hat and swell coat? Gee! he's well dressed. See
him roll his eyes at Madeline! He's lifting his hat--I
guess he must be Edward Something, the Roo--only a roo
would dress as well as he does--he's going to speak to
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