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Summer on the Lakes, in 1843 by S. M. (Sarah Margaret) Fuller
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"Now that I have left this 'Earth-wonder,' and the emotions it excited
are past, it seems not so much like profanation to analyze my feelings,
to recall minutely and accurately the effect of this manifestation of
the Eternal. But one should go to such a scene prepared to yield
entirely to its influences, to forget one's little self and one's little
mind. To see a miserable worm creep to the brink of this falling world
of waters, and watch the trembling of its own petty bosom, and fancy
that this is made alone, to act upon him excites--derision?--No,--pity."

As I rode up to the neighborhood of the falls, a solemn awe
imperceptibly stole over me, and the deep sound of the ever-hurrying
rapids prepared my mind for the lofty emotions to be experienced. When I
reached the hotel, I felt a strange indifference about seeing the
aspiration of my life's hopes. I lounged about the rooms, read the stage
bills upon the walls, looked over the register, and, finding the name of
an acquaintance, sent to see if he was still there. What this hesitation
arose from, I know not; perhaps it was a feeling of my unworthiness to
enter this temple which nature has erected to its God.

At last, slowly and thoughtfully I walked down to the bridge leading to
Goat Island, and when I stood upon this frail support, and saw a quarter
of a mile of tumbling, rushing rapids, and heard their everlasting roar,
my emotions overpowered me, a choaking sensation rose to my throat, a
thrill rushed through my veins, "my blood ran rippling to my finger's
ends." This was the climax of the effect which the falls produced upon
me--neither the American nor the British fall moved me as did these
rapids. For the magnificence, the sublimity of the latter I was prepared
by descriptions and by paintings. When I arrived in sight of them I
merely felt, "ah, yes, here is the fall, just as I have seen it in
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