The Crimes of England by G. K. (Gilbert Keith) Chesterton
page 36 of 95 (37%)
page 36 of 95 (37%)
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bored by Shakespeare and approximately inspired by Handel. What really
clinched the unlucky companionship of England and Germany was the first and second alliance with Prussia; the first in which we prevented the hardening tradition of Frederick the Great being broken up by the Seven Years' War; the second in which we prevented it being broken up by the French Revolution and Napoleon. In the first we helped Prussia to escape like a young brigand; in the second we helped the brigand to adjudicate as a respectable magistrate. Having aided his lawlessness, we defended his legitimacy. We helped to give the Bourbon prince his crown, though our allies the Prussians (in their cheery way) tried to pick a few jewels out of it before he got it. Through the whole of that period, so important in history, it must be said that we were to be reckoned on for the support of unreformed laws and the rule of unwilling subjects. There is, as it were, an ugly echo even to the name of Nelson in the name of Naples. But whatever is to be said of the cause, the work which we did in it, with steel and gold, was so able and strenuous that an Englishman can still be proud of it. We never performed a greater task than that in which we, in a sense, saved Germany, save that in which a hundred years later, we have now, in a sense, to destroy her. History tends to be a facade of faded picturesqueness for most of those who have not specially studied it: a more or less monochrome background for the drama of their own day. To these it may well seem that it matters little whether we were on one side or the other in a fight in which all the figures are antiquated; Bonaparte and Blucher are both in old cocked hats; French kings and French regicides are both not only dead men but dead foreigners; the whole is a tapestry as decorative and as arbitrary as the Wars of the Roses. It was not so: we fought for something real when we fought for the old world against the new. If we want to know painfully and precisely what it was, we must open an old and sealed and very awful door, on a scene which was called Ireland, but which then |
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