proportions[17].

No Italian architect has enjoyed the proud privilege of stamping his own
individuality more strongly on his native city than Arnolfo; and for this
reason it may be permitted to enlarge upon his labours here. When we take
our stand upon the hill of Samminiato, the Florence at our feet owes her
physiognomy in a great measure to this man. The tall tower of the Palazzo
Vecchio, the bulk of the Duomo, and the long low oblong mass of Santa
Croce are all his. His too are the walls that define the city of flowers
from the gardens round about her.[18] Even the master-works of his
successors subordinate their beauty to his first conception. Giotto's
campanile, Brunelleschi's cupola, and Orcagna's church of Orsammichele, in
spite of their undoubted and authentic originality, are placed where he
had planned.

In 1294 the Florentines determined to rebuild their mother-church upon a
scale of unexampled grandeur. The commission given to their architect
displays so strikingly the lordly spirit in which these burghers set about
the work, that, though it has been often quoted, a portion of the document
shall be recited here. "Since the highest mark of prudence in a people of
noble origin is to proceed in the management of their affairs so that
their magnanimity and wisdom may be evinced in their outward acts, we
order Arnolfo, head-master of our commune, to make a design for the
renovation of Santa Reparata in a style of magnificence which neither the
industry nor the power of man can surpass, that it may harmonise with the
opinion of many wise persons in this city and state, who think that this
commune should not engage in any enterprise unless its intention be to
make the result correspond with that noblest sort of heart which is
composed of the united will of many citizens."[19] From Giovanni Villani
we learn what taxes were levied by the Wool-Guild, and set apart in 1331