Lucca--Study of Nature and the Antique--Sarcophagus at Pisa--Pisan
Pulpit--Niccola's School--Giovanni Pisano--Pulpit in S. Andrea at
Pistoja--Fragments of his work at Pisa--Tomb of Benedict XI. at
Perugia--Bas-reliefs at Orvieto--Andrea Pisano--Relation of Sculpture to
Painting--Giotto--Subordination of Sculpture to Architecture in
Italy--Pisano's Influence in Venice--Balduccio of Pisa--Orcagna--The
Tabernacle of Orsammichele--The Gates of the Florentine Baptistery
--Competition of Ghiberti, Brunelleschi, and Della Quercia--Comparison
of Ghiberti's and Brunelleschi's Trial-pieces--Comparison of Ghiberti
and Della Quercia--The Bas-reliefs of S. Petronio--Ghiberti's
Education--His Pictorial Style in Bas-relief--His Feeling for the
Antique--Donatello--Early Visit to Rome--Christian Subjects--Realistic
Treatment--S. George and David--Judith--Equestrian Statue of
Gattamelata--Influence of Donatello's Naturalism--Andrea Verocchio--His
David--Statue of Colleoni--Alessandro Leopardi--Lionardo's Statue of
Francesco Sforza--The Pollajuoli--Tombs of Sixtus IV. and Innocent
VIII.--Luca della Robbia--His Treatment of Glazed Earthenware--Agostino
di Duccio--The Oratory of S. Bernardino at Perugia--Antonio
Rossellino--Matteo Civitali--Mino da Fiesole--Benedetto da
Majano--Characteristics and Masterpieces of this Group--Sepulchral
Monuments--Andrea Contucci's Tombs in S. Maria del Popolo--Desiderio da
Settignano--Sculpture in S. Francesco at Rimini--Venetian
Sculpture--Verona--Guido Mazzoni of Modena--Certosa of Pavia--Colleoni
Chapel at Bergamo--Sansovino at Venice--Pagan Sculpture--Michael Angelo's
Scholars--Baccio Bandinelli--Bartolommeo Ammanati--Cellini--Gian
Bologna--Survey of the History of Renaissance Sculpture.


CHAPTER IV