and beautiful, but ah, what a glorious surprise it is!

And so it is at the other end of day, when sleep comes over the garden
and all the flowers that have been basking in sun vigour relax and their
colours are subdued, blended by the brush of darkness, and the night wind
steals new perfumes from them, and wings of all but a few night birds
have ceased to cleave the air. As you walk among the flowers and touch
them, or throw back the casement and look out, you read new meanings
everywhere. In the white cribs in the alcove the same change comes,
bright eyes, hair, cheeks, and lips lie blended in the shadow, the only
sound is the even breath of night, and when you press your lips behind
the ear where a curl curves and neck and garments meet, there comes a
little fragrance born of sweet flesh and new flannel, and the only motion
is that of the half-open hand that seems to recognize and closes about
your fingers as a vine to its trellis, or as a sleeping bird clings to
its perch.

A gardener or a nurse is equally a door between one and these silent
pleasures, for who would not steal up now and then from a troubled
dream to satisfy with sight and touch that the babes are really there
and all is well?

* * * * *

Richard has a clinging way even in sleep, and his speech, though very
direct for his age, is soft and cooing; he says "mother" in a lingering
tone that might belong to a girl, and there are what are called feminine
traits in him.

Ian (to save confusion, we called him from the first by the pretty Scotch