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An Essay on War, in Blank Verse; Honington Green, a Ballad; the Culprit, an Elegy; and Other Poems, on Various Subjects by Nathaniel Bloomfield
page 9 of 74 (12%)

My province has been quite of a similar kind in this instance as it
was in that of Mr. ROBERT BLOOMFIELD: little corrections, in point
of Orthography; and still fewer of Grammar: sometimes of Diction; and
sometimes of Versification. For some of the best of these emendations
I have been indebted to one, in mentioning of whom I should have had
an affectionate Pride: and have more in that Modesty which forbids the
mention. They are, as I have said, few of any kind: For of emendations I
have been anxiously sparing. Little was requisite: and more than was so
would have been blameable. I rely on the original MSS. being preserv'd:
which on this, as on the former occasion, will speak for itself.

I have said what I thought of THE FARMER'S BOY. It is a truely
agricultural Poem: it's originality and vivid representation of
immediate Nature manifest themselves in the whole Design, and in every
page. It will live with the works of HESIOD and THEOCRITUS; of VIRGIL
and THOMSON. I was nearly as much assur'd of this from the first, and so
express'd myself, as the event could assure me. I will now say with the
same freedom what I think of the ESSAY ON WAR.

I regard it as a Poem of extraordinary vigor and originality: in
Thought, Plan, Conduct, Language, and Versification. I think it has much
indeed of the philosophic character, poetic spirit, force of coloring,
energy and pathos, which distinguish LUCRETIUS. Of the justness and
spirit of the VERSIFICATION I have already spoken.

The PRINCIPLE of the ESSAY ON WAR appears to me, I will own, more
paradoxical than I should think, to judge from their conduct, it can
appear to the ruling part at least of Mankind in general. I indulge the
hope and expectation that WAR shall one day be universally and finally
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