habited in velvet vests of her own colours, tawny, blue, crimson, and
white; then followed two companies, each composed of a hundred nobles,
the first wearing habiliments of tawny-coloured satin braided with gold,
and the second pourpoints of white satin and breeches of tawny colour;
these were succeeded by the Lords of the Bedchamber, chamberlains, and
other great officers of the royal household, superbly attired; who were,
in their turn, followed by the Knights of the Holy Ghost wearing the
collar of their Order. A body of trumpeters walked after them richly
dressed in blue velvet; and then came the heralds in full armour, and
the Ushers of the Chamber with their maces.

When these had passed the more important personages of the procession
issued from the gates of the Louvre; and the glorious spring sun flashed
upon the jewelled caps and capes of the Princes of the Blood, glistened
over their vests of cloth of gold, and toyed with the gemmed hilts of
their diamond-studded weapons. Preceding the Queen were the Prince de
Conti and the Comte d'Anquien;[5] while immediately before her walked
the Dauphin clad in a habit of cloth of silver, profusely ornamented
with precious stones; and then came Marie herself, in the full glory of
conscious dignity and triumph, wearing a coronet of jewels, a
richly-gemmed stomacher, a surcoat of ermine, and a royal mantle seven
French ells in length, composed of purple velvet embroidered with
_fleurs-de-lis_ in gold and diamonds, and bordered with ermine, which
was borne on either side of her by the two Cardinals, and at its
extremity by the Dowager Princess of Condé,[6] the Princesse de Conti,
the Dowager Duchess of Montpensier, and the Duchesse de Mercoeur;[7]
whose trains were in like manner supported by four nobles habited in
cloth of gold and silver, and covered with jewels.

Then followed Madame Elisabeth de France and the ex-Queen Marguerite,