The House of Cobwebs and Other Stories by George Gissing
page 6 of 353 (01%)
page 6 of 353 (01%)
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[Footnote 1: The same kind of limitations would have to be postulated in
estimating the brothers De Goncourt, who, falling short of the first magnitude, have yet a fully recognised position upon the stellar atlas.] Yet by the larger, or, at any rate, the intermediate public, it is a fact that Gissing has never been quite fairly estimated. He loses immensely if you estimate him either by a single book, as is commonly done, or by his work as a whole, in the perspective of which, owing to the lack of critical instruction, one or two books of rather inferior quality have obtruded themselves unduly. This brief survey of the Gissing country is designed to enable the reader to judge the novelist by eight or nine of his best books. If we can select these aright, we feel sure that he will end by placing the work of George Gissing upon a considerably higher level than he has hitherto done. The time has not yet come to write the history of his career--fuliginous in not a few of its earlier phases, gathering serenity towards its close,--finding a soul of goodness in things evil. This only pretends to be a chronological and, quite incidentally, a critical survey of George Gissing's chief works. And comparatively short as his working life proved to be--hampered for ten years by the sternest poverty, and for nearly ten more by the sad, illusive optimism of the poitrinaire--the task of the mere surveyor is no light or perfunctory one. Artistic as his temperament undoubtedly was, and conscientious as his writing appears down to its minutest detail, Gissing yet managed to turn out rather more than a novel per annum. The desire to excel acted as a spur which conquered his congenital inclination to dreamy historical reverie. The reward which he propounded to himself remained steadfast from boyhood; it was a kind of _Childe Harold_ pilgrimage to the lands of antique story-- |
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