Punch, or the London Charivari, Volume 153, November 21, 1917 by Various
page 55 of 56 (98%)
page 55 of 56 (98%)
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Out of such workaday elements as the hypnotic fascinations of a
sleek music-master, the follies of a runaway schoolgirl and the well-disciplined affections of a most superior young gentleman, Mr. W.E. NORRIS has contrived to create yet another new story, without infringement of his own or anyone else's copyright. Thanks to the incidence of War and the author's skilful manipulation of Europe's distresses (for once the KAISER'S intrusion into the middle of a peaceful--almost too peaceful--narrative is not unwelcome), the second half of _The Fond Fugitives_ (HUTCHINSON) is better than the first. Not, indeed, that such a wary hand as the writer has been so ill-advised as to follow his hero to Flanders, or even to let his heroine do so; but his wounded soldier, come home with sympathy and understanding grown big enough to realise that a girl, though indiscreet once, may yet be adorable ever after, is certainly more to one's taste than the philanderer about town, admiring other men's wives, in July, 1914. And so the story, slight though it is, ends on a strong note and with fair hope of happiness for two wiser and not much sadder people. Some of the minor characters are quite capitally drawn, particularly the old father and mother in pathetic flight before the shadow of their daughter's disgrace; but it is the freshness of the heroine herself, outraging all tradition by refusing, though without bravado, to remain for ever in the gloom of a childish error, that one likes to remember. Altogether, the author's friends will find this book not at all below the level of his best work. * * * * * _Small Craft_ (ELKIN MATTHEWS), by Miss C. FOX SMITH, contains several poems that have appeared in Punch over the initials "C.F.S." They should receive a fresh welcome from all who share her understanding |
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