acquirement of adventitious knowledge becomes of paramount necessity;
and it was but natural that Cambridge and Oxford should prize a style of
poetry, to which depth of learning was absolutely indispensable.

I have stated, that the metaphysical poetry was fashionable during the
early part of Charles the First's reign. It is true, that Milton
descended to upbraid that unfortunate prince, that the chosen companion
of his private hours was one _William Shakespeare, a player_; but
Charles admitted less sacred poets to share his partiality. Ben Jonson
supplied his court with masques, and his pageants with verses; and,
notwithstanding an ill-natured story, shared no inconsiderable portion
of his bounty.[8] Donne, a leader among the metaphysical poets, with
whom King James had punned and quibbled in person.[9] shared, in a
remarkable degree, the good graces of Charles I., who may therefore be
supposed no enemy to his vein of poetry, although neither his sincere
piety nor his sacred office restrained him from fantastic indulgence in
extravagant conceit, even upon the most solemn themes which can be
selected for poetry.[10] Cowley, who with the learning and acuteness of
Donne, possessed the more poetical qualities of a fertile imagination,
and frequent happiness of expression, and who claims the highest place
of all who ever plied the unprofitable trade of combining dissimilar and
repugnant ideas, was not indeed known to the king during his prosperity;
but his talents recommended him at the military court of Oxford, and the
[Transcriber's note: word missing here in the original] ingenious poet
of the metaphysical class enjoyed the applause of Charles before he
shared the exile of his consort Henrietta. Cleveland also was honoured
with the early notice of Charles;[11] one of the most distinguished
metaphysical bards, who afterwards exerted his talents of wit and satire
upon the royal side, and strained his imagination for extravagant
invective against the Scottish army, who sold their king, and the