Confessions of a Young Man by George (George Augustus) Moore
page 54 of 186 (29%)
page 54 of 186 (29%)
![]() | ![]() |
|
merely a doll to be attired to-day in a modern ball dress, to-morrow in
aureoles and stars. The Virgin is a pretty thing, worth a poem, but it would be quite too silly to talk about belief or unbelief; Christ in wood or plaster we have heard too much of, but Christ in painted glass amid crosiers and Latin terminations, is an amusing subject for poetry. And strangely enough, a withdrawing from all commerce with virtue and vice is, it would seem, a licentiousness more curiously subtle and penetrating than any other; and the licentiousness of the verse is equal to that of the emotion; every natural instinct of the language is violated, and the simple music native in French metre is replaced by falsetto notes sharp and intense. The charm is that of an odour of iris exhaled by some ideal tissues, or of a missal in a gold case, a precious relic of the pomp and ritual of an archbishop of Persepolis. Parsifal a vaincu les filles, leur gentil Babil et la luxure amusante et sa pente Vers la chair de ce garçon vierge que cela tente D'aimer des seins légers et ce gentil babil. Il a vaincu la femme belle au coeur subtil Etalant ces bras frais et sa gorge excitante; Il a vaincu l'enfer, il rentre dans sa tente Avec un lourd trophée à son bras pueril. Avec la lance qui perça le flanc suprême Il a guéri le roi, le voici roi lui-même, Et prêtre du très-saint trésor essentiel; En robe d'or il adore, gloire et symbole, Le vase pur où resplendit le sang réel, |
|