The stops so formidable at first became as stars in the dark.... Little
loves, little fears and sins and hopes were all he had known before;
and now he entered into the torrential temperaments of the
masters--magnificent and terrifying souls who dared to sin against God,
or die defying man; whose passions stormed the world; whose dirges were
wrung from heaven. Why, these men levelled emperors and aspired to
angels, violated themselves, went mad with music, played with hell's
own dissonances, and dared to transcribe their baptisms, illuminations,
temptations, Gethsemanes, even their revilings and stigmata.

The dirges lifted him to immensity from which the abysses of the world
spread themselves below. Two marches of Chopin, and the death-march of
Siegfried, the haunting suggestion of a soul's preparation for
departure in Schubert's _Unfinished_; the _Death of Aase_, the
_Pilgrim's Chorus_, one of Mozart's requiems, and that Napoleonic
_funèbre_ from the _Eroica_--these, with others, grouped themselves
into an unearthly archipelago--towering cliffs of glorious gloom, white
birds silently sweeping the gray solitudes above the breakers....

It was during the four days while Captain Carreras remained in Coral
City with Jaffier, that Bedient entered into the mysterious enchantment
of the _Andante_ movement of Beethoven's Fifth Symphony. He had played
it all, forgetting almost to breathe, and then returned to the second
movement which opens with the 'celli:

[Illustration: Musical notation]

Again and again it unfolded for him, but not its full message. There
was a meaning in it _for him_! He heard it in the night; three voices
in it--a man, a woman and a soul.... The lustrous third Presence was an