from a boy into a young man, and the handsomest young man in Italy; her
affection for him became sisterly; she was nearly in love with him. She
had no cause for jealousy, for Fabrice, although prone to flirtation,
had no affairs of the heart. The word love, as yet, had no meaning for
him.


_II.--Giletti_


One of our hero's flirtations had consequences with a very pronounced
bearing on his after career. During a surreptitious visit to the theatre
he became captivated with the actress, Marietta Valserra. Stolen visits
of two minutes duration to Marietta's lodging on the fourth floor of an
old house behind the theatre were an agreeable variation of the monotony
of Fabrice's clerical duties, and of his visits among the most important
and least entertaining families in Parma. But the trifling little
intrigue came to the ears of Count Mosca, with the result that the
travelling company to which Marietta belonged received its passports and
was requested to move on.

In the affair, moreover, Fabrice had a rival. Giletti was the low
comedian of the company, and the ugliest member of it; he assumed
proprietorship over Marietta, who, although she did not love him, was at
any rate horribly afraid of him. Giletti several times threatened to
kill Fabrice; whereby Fabrice was not disturbed.

Count Mosca was passionately archaeological, and this taste he shared
with Fabrice, who had cultivated the hobby at Naples. It so happened
that the two were engaged in excavations near the bridge over the Po