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Scientific American Supplement, No. 598, June 18, 1887 by Various
page 88 of 124 (70%)
to it alone.[1] They may be found in other styles, though not to such a
great extent. While similar features will thus be seen to run through many
styles, each will usually be found to possess an individuality of its own.
Every nation, like every individual, possesses different wants and
capabilities, and will develop itself accordingly. Differences in religion,
climate, manners, customs, etc., will cause differences in their art and
literature, the most lasting monuments of their morals, taste, and
feelings.

[Footnote 1: "Rudiments of Architecture and Building," through courtesy of
H.C. Baird.]

It is rather by the study of the art and literature of a people that we
arrive at a true knowledge of them than from the perusal of mere historic
facts concerning them--when they lived, who conquered them, etc.


THE STYLES.

ANCIENT OR CLASSIC. 1400 B.C.--300 A.D.

_Egyptian._--Characteristics: symbolic, severe,
simple, grand, massive. Conventional forms of lotus,
papyrus, etc. Oblique lines.

_Greek._--Characteristics: æsthetic, simple,
harmonious, beautiful. Conventional forms, anthemion,
acanthus. Ellipse.

_Roman._--Characteristics: elaborate, rich, costly.
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