Vanishing Roads and Other Essays by Richard Le Gallienne
page 122 of 301 (40%)
page 122 of 301 (40%)
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But, after all, trees are perhaps the best expression of silence, massed as they are with the merest hint of movement, and breathing the merest suggestion of a sigh; and seldom have I seen such abundance and variety of trees as along our old canal--cedars and hemlocks and hickory dominating green slopes of rocky pasture, with here and there a clump of silver birches bent over with the strain of last year's snow; and all along, near by the water, beech and basswood, blue-gum and pin-oak, ash, and even chestnut flourishing still, in defiance of blight. Nor have I ever seen such sheets of water-lilies as starred the swampy thickets, in which elder and hazels and every conceivable bush and shrub and giant grass and cane make wildernesses pathless indeed save to the mink and the water-snake, and the imagination that would fain explore their glimmering recesses. No, nothing except birds and trees, water-lilies and such like happenings, ever happens along the old canal; and our nearest to a human event was our meeting with a lonely, melancholy man, sitting near a moss-grown water-wheel, smoking a corn-cob pipe, and gazing wistfully across at the Ramapo Hills, over which great sunlit clouds were billowing and casting slow-moving shadows. Stopping, we passed him the time of day and inquired when the next barge was due. For answer he took a long draw at his corn-cob, and, taking his eyes for a moment from the landscape, said in a far-away manner that it might be due any time now, as the spring had come and gone, and implying, with a sort of sad humour in his eyes, that spring makes all things possible, brings all things back, even an old slow-moving barge along the old canal. "What do they carry on the canal?" I asked the melancholy man, the romantic green hush and the gleaming water not irrelevantly flashing on |
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