visitor to hear her talk, with her rarely distinguished manner, of
frivolous matters with which they assume she has long since done.

A short while ago, when I was taking tea with her, she had for visitor a
staid old-maidish lady, little more than half her age, whom she had
known as a girl, but had not seen for some years. In the course of
conversation, she turned to her guest, with her grand air:

"Have you done much dancing this season?" she asked.

"O indeed no," answered the other unsuspiciously, "my dancing days are
over."

"At your age!" commented Luccia with surprise. "Nonsense! You must let
me teach you to dance the tango. I have enjoyed it immensely this
winter."

"Really?" gasped the other in astonishment, with that intonation in the
voice naturally so gratifying to the "old" suggesting that the person
talking with them really regards them as dead and buried.

"Of course, why not?" asks Luccia with perfect seriousness. "I dance it
with my grandsons. My husband doesn't care to dance it. He prefers the
polka."

Not knowing what to think, the poor old maid--actually "old" compared
with Luccia--looked from her to the beautiful venerable figure of her
polka-dancing husband seemingly meditating over his pipe, a little
withdrawn from them on the veranda, but inwardly shaken with mirth at
the darling nonsense of her who is still the same madcap girl he first