consented to turn aside from the results of scholarship she had hoped to
accomplish, and with many doubts concerning her ability to become a writer
of fiction. The history of the publication of her first work, _Scenes
of Clerical Life_, has been fully told, and is helpful towards an
understanding of her career as an author.

In the autumn of 1856, William Blackwood received from Lewes a short story
bearing--the title of "The Sad Fortunes of the Rev. Amos Barton," which he
sent as the work of an anonymous friend. His nephew has described the
results that followed on the reception of this novel by Blackwood, and its
publication in _Blackwood's Magazine_. "The story was offered as the first
instalment of a series; and though the editor pronounced that 'Amos' would
'do,' he wished to satisfy himself that it was no chance hit, and requested
a sight of the other tales before coming to a decision. Criticisms on the
plot and studies of character in 'Amos Barton' were frankly put forward,
and the editor wound up his letter by saying,' If the author is a new
writer, I beg to congratulate him on being worthy of the honors of print
and pay. I shall be very glad to hear from him or you soon.' At this time
the remaining _Scenes of Clerical Life_ were unwritten, and the criticisms
upon 'Amos' had rather a disheartening effect upon the author, which the
editor hastened to remove as soon as he became sensible of them, by
offering to accept the tale. He wrote to Mr. Lewes, 'If you think it would
stimulate the author to go on with the other tales, I shall publish 'Amos'
at once;' expressing also his 'sanguineness' that he would be able to
approve of the contributions to follow, as 'Amos' gave indications of
great freshness of style. Some natural curiosity had been expressed as
to the unknown writer, and a hint had been thrown out that he was 'a
clergyman,'--a device which, since it has the great sanction of Sir Walter
Scott, we must regard as perfectly consistent with the ethics of anonymous
literature.