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Without Dogma by Henryk Sienkiewicz
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PUBLISHER'S PREFACE


In "WITHOUT DOGMA" we have a remarkable work, by a writer known
only in this country through his historical novels; and a few words
concerning this novel and its author may not be without interest.

Readers of Henryk Sienkiewicz in America, who have known him only
through Mr. Curtin's fine, strong translations, will be surprised to
meet with a production so unlike "Fire and Sword," and "The Deluge,"
that on first reading one can scarcely believe it to be from the pen
of the great novelist.

"Fire and Sword," "The Deluge," and "Pan Michael" (now in press) form,
so to speak, a Polish trilogy. They are, first and last, Polish in
sentiment, nationality, and patriotism. What Wagner did for Germany in
music, what Dumas did for France, and Scott for all English-speaking
people, the great Pole has achieved for his own country in literature.
Even to those most unfamiliar with her history, it grows life-like and
real as it speaks to us from the pages of these historical romances.
Only a very great genius can unearth the dusty chronicles of past
centuries, and make its men and women live and breathe, and speak to
us. These historical characters are not mere shadows, puppets, or
nullities, but very real men and women, our own flesh and blood.

His warriors fight, love, hate; they embrace each other; they laugh;
they weep in each other's arms; give each other sage counsels, with a
truly Homeric simplicity. They are deep-versed in stratagems of love
and war, these Poles of the seventeenth century! They have their
Nestor, their Agamemnon, their great Achilles sulking in his tent.
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