After dinner I remained in the dining-room with Sniatynski, who liked
a quiet talk over a glass of cognac after his coffee. The elder ladies
went to the drawing-room, and Aniela took Pani Sniatynska upstairs to
show her some photographs of Volhynia. I questioned Sniatynski about
his new play, the fate of which seemed to make him a little anxious.
Our conversation drifted on to those times when we both tried our
sprouting wings. He told me how afterwards, step by step, he had
worked his way upward; how he had been full of doubts, and still
doubted his power, in spite of having acquired a certain reputation.

"Tell me," I asked, "what do you do with your fame?"

"How do you mean what I do with my fame?"

"For instance, do you wear it as a crown on your head, or as a golden
fleece round your neck? do you put it over your writing-desk, or hang
it up in your drawing-room? I only ask as a man who has no idea what
to do with it if he once obtains it?"

"Let us suppose I have won it; the man must be deuced ill-bred
mentally either to wear the so-called fame as an ornament or to put it
up for show. I confess that at first it gratifies one's vanity; but
only a spiritual parvenu would find it sufficient to fill the whole
life, or take the place of real happiness. It is quite another thing
to be conscious you are doing good work; that the public appreciates
it, and that your work calls forth an echo in other minds,--a public
man has the right to feel pleased with that. But as to feeling
gratified when somebody, looking more or less foolish, comes up and
says: 'We are indebted to you for so much pleasure;' or, when a dinner
does not agree with me, our daily press remarks: 'We communicate