arrayed in great jewels. In vain Don Esteban affirmed that this picture
had been painted centuries after the death of the Empress. The child's
imagination vaulted disdainfully over such difficulties. Just as she
appeared on the canvas, Doña Constanza must have been--flaxen-haired,
with great black eyes, exceedingly handsome and a little inclined to
stoutness, perhaps, as was becoming to a woman accustomed to trailing
robes of state and who had consented to disguise herself as a
country-woman, merely because of her piety.

The image of the Empress obsessed his childish thoughts. At night when
he felt afraid in bed, impressed by the enormousness of the room that
served as his sleeping chamber, it was enough for him to recall the
sovereign of Byzantium to make him forget immediately his disquietude
and the thousand queer noises in the old building. "Doña Constanza!"...
And he would go off to sleep cuddling the pillow, as though it were the
head of the _basilisa_, his closed eyes continuing to see the black
eyes of the regal Señora, maternal and affectionate.

All womankind, on coming near him, took on something of that other one
who had been sleeping for the past six centuries in the upper part of
the chapel wall. When his mother, sweet and pallid Doña Cristina, would
stop her fancy work for an instant to give him a kiss, he always saw in
her smile something of the Empress. When Visenteta, a maid from the
country--a brunette, with eyes like blackberries, rosy-cheeked and
soft-skinned--would help him to undress, or awaken him to take him to
school, Ulysses would always throw his arms around her as though
enchanted by the perfume of her vigorous and chaste vitality.
"Visenteta!... Oh, Visenteta!..." And he was thinking of Doña
Constanza; Empresses must be just that fragrant.... Just like that must
be the texture of their skin!... And mysterious and incomprehensible