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Punch, or the London Charivari, Volume 156, June 25, 1919 by Various
page 50 of 75 (66%)
to turn the heads of the young and thoughtless. There is a spirit of
rebellion in the air, which at its worst takes the form of Bolshevism,
but here is seen in a relatively harmless shape as a general revolt
against social restriction, a general passion for what is known as 'a
good time.' In any case it is only a passing phase. Already there are
signs of a reaction from this reaction; of a return to the decency of
other days. They tell me, for a slight but significant indication, that
the waltz is coming back; that we may even look to see a revival of the,
minuet and pavane."

"Then it is just a question of a cycle of vogues? We are to be swayed by
recurring gusts of fashion, and not inspired by a fixed ideal."

"Fashion counts with us, of course, for we are human and some of us are
feminine. There was a fashion of patriotism as there is now a fashion of
something that might easily be mistaken for its opposite. But the range
of its influence is largely confined to a rather negligible element in
London, the most provincial of capitals. The Press--and notably the
Photographic Press--gives it a prominence out of all relation to its
importance. The great majority are untouched by it. They talk little
and they advertise less. But in a thousand quiet ways they are setting
themselves to make good."

"To make good money, you mean. Our world seems made up of profiteers and
of those who would be profiteers but can't, and so abuse those who can.
Can you name to me a period when there was a wilder rush for wealth, or
a more blatant display of luxury? Sometimes I wish the War back; England
was at her best when the call for sacrifice came home to her. But
how--we hear great talk of Reconstruction, but I am reminded rather of
the Restoration."
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