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The Palmy Days of Nance Oldfield by Edward Robins
page 28 of 279 (10%)
neither felt a true want of poetry, nor had any relish for it; they
merely wished to be entertained in a brilliant and light manner. The
theatre, which in its former simplicity had attracted the spectators
solely by the excellence of the dramatic works and the actors, was now
furnished out with all the appendages with which we are at this
day familiar; but what is gained in external decoration is lost in
internal worth."

In other words, the theatrical life and literature of the Restoration
was morally rotten to the core. How that rottenness has been giving
way, during the childhood of Nance Oldfield, to what may be styled a
comparative decency, need not be described here. Suffice it to explain
that such a change is taking place, and let us accordingly sing,
rejoice and give thanks for small mercies. Thalia has ceased to be a
wanton; she is fast becoming quite a respectable young woman, and as
to Melpomene--well, that severe Muse is actually waxing religious.

Religious? Yes, verily, for will not all good Londoners read in the
course of a year or two that there will be a performance of "Hamlet"
at Drury Lane "towards the defraying the charge of repairing and
fitting up the chapel in Russell Court," said performance to be given
"with singing by Mr. Hughes, and entertainment of dancing by Monsieur
Cherier, Miss Lambro his scholar, and Mr. Evans. Boxes, 5s.; pit, 3s.;
gallery, 2s.; upper gallery, 1s."

Here was an ideal union of church and stage with a vengeance, the one
being served by the other, and the whole thing done to the secular
accompaniment of singing and dancing. For an instant the town was
scandalised, but Defoe, that perturbed spirit for whom there was no
such word as rest, saw the humour of the situation.
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