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The Palmy Days of Nance Oldfield by Edward Robins
page 65 of 279 (23%)
production of the "Relapse." "I own," writes Sir John, "the first
night this thing was acted, some indecencies had like to have
happened; but it was not my fault. The fine gentleman of the play,
drinking his mistress's health in Nantes brandy, from six in the
morning to the time he waddled up upon the stage in the evening, had
toasted himself up to such a pitch of vigour, I confess I once gave up
Amanda for gone; and am since, with all due respect to Mrs. Rogers,
very sorry she escaped; for I am confident a certain lady (let no one
take it to herself that is handsome) who highly blames the play, for
the barrenness of the conclusion, would then have allowed it a very
natural close." It should be added that the Mrs. Rogers herein
mentioned as playing Amanda was a capable tragic actress whose
ambition it was to enact none but virtuous women. Her own virtue--but
we are dipping into scandal.[B]

[Footnote A: To the folly of intoxication he added the horrors of
debt, and was so hunted by the sheriffs' officers that he usually
walked the streets with a sword (sheathed) in his hand; and if he saw
any of them at a distance, he would roar out, "Get on the other side
of the way, you dog!" The bailiff, who knew his old customer, would
obligingly answer, "We do not want you _now_, Master Powell." EDMUND
BELLCHAMBERS.]

[Footnote B: Her fondness for virtue on the stage she began to think
might persuade the world that it had made an impression on her private
life; and the appearance of it actually went so far that, in an
epilogue to an obscure play, the profits of which were given to her,
and wherein she acted a part of impregnable chastity, she bespoke
the favour of the ladies by a protestation that in honour of their
goodness and virtue she would dedicate her unblemished life to their
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