[_Exit_ SIR CHARLES _pulling away_ LORD MORELOVE."

[Footnote A: Here is the way in which several of our refined farcical
writers would have given it:

MORELOVE. Let me speak to her now, or I shall burst.

SIR CHARLES. Upon condition that you'll not burst here, in the
parlour, do as you please.]

* * * * *

There is about this and many other scenes the fragrance of an old
perfume, as of lavender. We take up the book after years of neglect,
and the odour, which is not that of sanctity, is still perceptible--a
potent reminder of the past. And Lady Betty Modish? She must
be--well-nigh on to two hundred years old (a thousand florid pardons,
sweet madame, for bringing in your age), but she is as blooming,
saucy, and interesting as ever.

What becomes of Betty in the comedy, the reader may ask. She goes on
her triumphant way, the same cruel enchantress, until the last act,
when she is quite ready to fall into the arms of Lord Morelove. Sir
Charles Easy, touched by the constancy and devotion of his wife,
announces that he will mend his wilful habits, and Lord Foppington,
who flattered himself that Lady Betty was madly in love with him,
accepts his dismissal with great good humour. Then we have a song
setting forth how: