_Mathisen_ (a good name in the city, with only a letter changed),
striking a sixteenth century flint, for the purpose of lighting
a candle, but, failing in the attempt, compelled to destroy
sixteenth-century illusion, and employ, in a sneaking kind of way,
the nineteenth-century match, which strikes only on its own box. Mlle.
NUOVINA, not so good here as in the part of _Marguerite_, but there is
very little for a soprano to do. JEAN reckless in the final drinking
song.

The voice of DRURIOLANUS OPERATICUS is heard at the wings. The
stage-manager's assistant is evidently nervous, and the curtain, after
once going up a little way and coming down again, ascends suddenly,
in spite of adjuration of DRURIOLANUS to "Wait! wait!" No hitch, and
in another moment DRURIOLANUS, calm, but with suppressed emotion, is
watching the scene from the front.

"Ah," he murmurs to himself, "if I could only get Guildhall to do what
I like in on that Ninth, of November when I shall be Lord Mayor. I'd
soon show 'em what's what. I'd have a coronation, or investiture,
scene to which this should be mere child's play."

EDOUARD DE RESZKÉ excellent as _Zacharias_--a, name chiefly associated
with one of Lieutenant COLE'S characters, a Mawworm who looks over
the screen; and M. MONTARIOL good as a lighter-hearted Anabaptist. A
memorable revival.

_Tuesday_.--_Les Huguenots_. Return of Mlle. BAUERMEISTER after one
night's absence. _Wednesday_.--_Carmen_, as before.

_Thursday_.--_Rigoletto_. Fine house to hear this Opera. _Le Prince