The Economist by Xenophon
page 60 of 152 (39%)
page 60 of 152 (39%)
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"For instance, what is a chorus?--a band composed of human beings, who
dance and sing; but suppose the company proceed to act as each may chance--confusion follows; the spectacle has lost its charm. How different when each and all together act and recite[4] with orderly precision, the limbs and voices keeping time and tune. Then, indeed, these same performers are worth seeing and worth hearing. [4] Or, "declaim," {phtheggontai}, properly of the "recitative" of the chorus. Cf. Plat. "Phaedr." 238 D. "So, too, an army," I said, "my wife, an army destitute of order is confusion worse confounded: to enemies an easy prey, courting attack; to friends a bitter spectacle of wasted power;[5] a mingled mob of asses, heavy infantry, and baggage-bearers, light infantry, cavalry, and waggons. Now, suppose they are on the march; how are they to get along? In this condition everybody will be a hindrance to everybody: 'slow march' side by side with 'double quick,' 'quick march' at cross purposes with 'stand at ease'; waggons blocking cavalry and asses fouling waggons; baggage-bearers and hoplites jostling together: the whole a hopeless jumble. And when it comes to fighting, such an army is not precisely in condition to deliver battle. The troops who are compelled to retreat before the enemy's advance[6] are fully capable of trampling down the heavy infantry detachments in reserve.[7] [5] Reading {agleukestaton}, or, if with Breit, {akleestaton}, "a most inglorious spectacle of extreme unprofitableness." [6] Or, "whose duty (or necessity) it is to retire before an attack," i.e. the skirmishers. Al. "those who have to retreat," i.e. the non-combatants. |
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