inclosing a knob or a little blossom (see Figs. 3 and 4). This is an
example from the Temple of Apollo at Miletus, one that was constructed
about ten years ago, for educational purposes. Here is the specimen of the
flower of the monument to Lysicrates at Athens, of which the central part
consists of a small flower or fruits (Figs. 5 and 6).

[Illustration: FIG. 7.]

The form passes over into Roman art. The larger scale of the buildings,
and the pretensions to a greater richness in details, lead to a further
splitting up of the leaf into acanthus-like forms. Instead of a fruit-form
a fir-cone appears, or a pine-apple or other fruit in an almost
naturalistic form.

In a still larger scale we have the club-shaped knob developing into a
plant-stem branching off something after the fashion of a candelabrum, and
the lower part of the leaf, where it is folded together in a somewhat
bell-shaped fashion, becomes in the true sense of the word a campanulum,
out of which an absolute vessel-shaped form, as _e.g._ is to be seen in the
frieze of the Basilica Ulpia in Rome, becomes developed.

[Illustration: FIG. 8.]

Such remains of pictorial representation as are still extant present us
with an equally perfect series of developments. The splendid Græco-Italian
vessels, the richly ornamented Apulian vases, show flowers in the spirals
of the ornaments, and even in the foreground of the pictorial
representations, which correspond exactly to the above mentioned Greek
relief representations. [The lecturer sent round, among other
illustrations, a small photograph of a celebrated vase in Naples