to be expressed. Still he wrote on. Towards midnight he kicked off his
shoes, and wrote on, throwing the pages over his shoulder as fast as
they were finished. Morning dawned, and found him still at his task. He
continued writing with desperate haste until noon, and then flung away
his last sheet; his poem was done.

He rose, and moistened his lips with a cup of fragrant Hyson, which,
according to the great Kian-lung, who was both a poet and an emperor,
and therefore undoubted authority on all subjects, drives away all the
five causes of disquietude which come to trouble us. Then he walked up
and down his narrow apartment many times, carefully avoiding the piles
of eloquence that lay scattered around. Then he sat down, and, gathering
up the disordered pages, resigned himself to the dire necessity--that
curse of authorship--of revising and correcting his verses. By
nightfall, this, too, was completed.

In the morning, he ran to the nearest publisher. His poem was
enthusiastically accepted. In a week, it was issued anonymously,
although the author's name was universally known the same day.

As Mien-yaun himself was afterwards accustomed to say,--after six months
of ignominious obscurity, he awoke one morning and found himself famous!

In two days the first edition was exhausted, and a second, with
illustrations, was called for. In two more, it became necessary to issue
a third, with a biography of the author, in which it was shown that
Mien-yaun was the worst-abused individual in the world, and that Pekin
had forever dishonored itself by ill-treating the greatest genius that
city had ever produced. In the fourth edition, which speedily followed,
the poet's portrait appeared.