exclaims: "You know, O Athenians, the humanity of the law, which
allows not even slaves to be insulted in their persons."--C. R.
Kennedy.

Citizens devoting their time to gymnastics and to the cultivation of
music are not to be found in Athens;[27] the sovereign People has
disestablished them,[28] not from any disbelief in the beauty and
honour of such training, but recognising the fact that these are
things the cultivation of which is beyond its power. On the same
principle, in the case of the coregia,[29] the gymnasiarchy, and the
trierarchy, the fact is recognised that it is the rich man who trains
the chorus, and the People for whom the chorus is trained; it is the
rich man who is trierarch or gymnasiarch, and the People that profits
by their labours.[30] In fact, what the People looks upon as its right
is to pocket the money.[31] To sing and run and dance and man the
vessels is well enough, but only in order that the People may be the
gainer, while the rich are made poorer. And so in the courts of
justice,[32] justice is not more an object of concern to the jurymen
than what touches personal advantage.

[27] For {mousike} and {gumnastike}, see Becker's "Charicles," Exc.
"Education."

[28] See "Revenues," iv. 52; Arist. "Frogs," 1069, {e xekenosen tas te
palaistras}, "and the places of exercise vacant and bare."--Frere.

[29] "The duties of the choregia consisted in finding maintenance and
instruction for the chorus" (in tragedy, usually of fifteen
persons) "as long as they were in training; and in providing the
dresses and equipments for the performance."--Jebb, "Theophr.