ornaments, the chevron, the billet, the hatched, the pillet, the fret,
the indented, the nebulé, and the wavey, all superbly executed."[4]

[3] The writer of the paper in _The Crypt_, already referred
to, observes that the above arch is not what he
understands by _horse-shoe_: "it is, in fact, one of those
short, wide doorways, used both early and late, the
proportions of which we know not how to describe better
than as the earliest pointed arch curtailed of about
one-half its usual height betwixt the base and capital.
The entrance to St. John's House, Winton, is a good
example."

[4] Milner's Winchester, vol. ii. p. 149.

The lower part of the Nave, as we have already seen, is the most
ancient, and allowed to be the work of De Blois. A portion is included
within the choir by throwing back a high wooden screen, within which
reclines the full-length figure, in brass, of John de Campden, the
friend of Wykeham, who appointed him master of the Hospital. "The
arches which separate the nave from its aisles are pointed; but the
columns are of enormous compass, their circumference being equal to
their height; the capitals are varied, the bases square, and three out
of the four decorated at the angles with huge bosses of flowers. The
roof is simple, with the arms of Beaufort, Wykeham, and others, at the
intersections of the ribs, which spring from corbel heads." The great
western window consists of four parts; on each side are two lights
terminating in a distinct arch; in the centre, one light of larger
dimensions; and over these, a Catherine wheel composed of three
triangles. The whole is filled with painted glass, a small portion of