the Winter's Tale, or Macbeth. Mr. Pennie mentions the popularity of
Pizarro, "which faintly attempts to delineate the customs of the Peruvians"
as a reason for "the hope that is in him" respecting the fate of his own
tragedies. To our minds, Pizarro is one of the most essentially dramatic
or stage-plays of all our stock pieces. It is of German origin, though
Sheridan is said to have written it over sandwiches and claret in Drury
Lane Theatre. The country, the scenery, and costume have much to do with
this stage effect, and even aid the strong excitement of conflicting
passions which pervades every act. Its representation is a scene-shifting,
fidgeting business, but its charms tempt us almost invariably to sit it
out.

Returning to Mr. Pennie's Tragedies, we must add that a more delightful
collection of notes was never appended to any poem. Would that all
commentators had so assiduously illustrated their text. Here is none of
the literary indolence by which nine out of ten works are disfigured, nor
the fiddle-faddle notes which some folks must have written in their dreams.

* * * * *


SNATCHES FROM EUGENE ARAM.

_A Landlord's Benevolence_.--No sooner did he behold the money, than a
sudden placidity stole over his ruffled spirit:--nay, a certain benevolent
commiseration for the fatigue and wants of the traveller replaced at once,
and as by a spell, the angry feelings that had previously roused him.

_A "Rich" Man_.--One who "does not live so as not to have money to lay by."