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Punch, or the London Charivari, Volume 99, July 12, 1890 by Various
page 17 of 52 (32%)
Moreover, the Jack of Journalisms will, at one time or another, have
risen from the position of one who chronicles second-rate shows in
remote corners of his paper, to be the recognised dramatic critic of
a powerful organ. He thus acquires an extraordinary influence which
he consolidates amongst outsiders by occasional lapses into a fury
of critical honesty and abuse. It may be said of him, indeed, that,
"Hell hath no fury like a critic scorned," for if he should, on any
occasion, have taken umbrage at the treatment accorded to him by an
actor or a manager, he will never allow the offence to fade, so long
as he can fashion insinuations, misconstrue motives, or manufacture
failure with his pen.

[Illustration]

In appearance the Jack of all Journalisms is not altogether pleasing.
His early struggles against irresponsive editors have left their
mark upon him, for having been compelled to seek consolation for
disappointment by indulging in strong drinks, he never completely
loses the habit which tells, of course, both upon his dress and
temper. Though success, by bringing the pleasures of the table within
his reach, has increased the rotundity of his figure, it has never
been able to make his collars snowy or his conversation refined. He is
often found upon the Committees of new Clubs which start with a blare
of journalistic trumpets upon a chequered existence, only to perish
in contempt a few years afterwards. But while they last he attends
them in the hope of picking up a friend who may be valuable, or some
gossip which he may turn to account. As a rule, he affects the society
of those who are intellectually dull in order that he may pass with
them for a man of immense culture and unfathomable sagacity. Over
the third long drink provided for him by an admiring associate of
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