Punch, or the London Charivari, Volume 99, July 12, 1890 by Various
page 17 of 52 (32%)
page 17 of 52 (32%)
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Moreover, the Jack of Journalisms will, at one time or another, have
risen from the position of one who chronicles second-rate shows in remote corners of his paper, to be the recognised dramatic critic of a powerful organ. He thus acquires an extraordinary influence which he consolidates amongst outsiders by occasional lapses into a fury of critical honesty and abuse. It may be said of him, indeed, that, "Hell hath no fury like a critic scorned," for if he should, on any occasion, have taken umbrage at the treatment accorded to him by an actor or a manager, he will never allow the offence to fade, so long as he can fashion insinuations, misconstrue motives, or manufacture failure with his pen. [Illustration] In appearance the Jack of all Journalisms is not altogether pleasing. His early struggles against irresponsive editors have left their mark upon him, for having been compelled to seek consolation for disappointment by indulging in strong drinks, he never completely loses the habit which tells, of course, both upon his dress and temper. Though success, by bringing the pleasures of the table within his reach, has increased the rotundity of his figure, it has never been able to make his collars snowy or his conversation refined. He is often found upon the Committees of new Clubs which start with a blare of journalistic trumpets upon a chequered existence, only to perish in contempt a few years afterwards. But while they last he attends them in the hope of picking up a friend who may be valuable, or some gossip which he may turn to account. As a rule, he affects the society of those who are intellectually dull in order that he may pass with them for a man of immense culture and unfathomable sagacity. Over the third long drink provided for him by an admiring associate of |
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