The Loves of Krishna in Indian Painting and Poetry by W. G. Archer
page 20 of 215 (09%)
page 20 of 215 (09%)
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is, in fact, to prove a basic assumption in later versions of the story.
Here it is sufficient to note that while the _Mahabharata_ describes these two contrasting modes of behaviour, no attempt is made to face the exact issue. Krishna as God has been introduced rather than explained and we are left with the feeling that much more than has been recorded remains to be said. This feeling may well have dogged the writers who put the _Mahabharata_ into its present shape for, a little later, possibly during the sixth century A.D., an appendix was added. This appendix was called the _Harivansa_ or Genealogy of Krishna[10] and in it were provided all those details so manifestly wanting in the epic itself. The exact nature of Krishna is explained--the circumstances of his birth, his youth and childhood, the whole being welded into a coherent scheme. In this story Krishna the feudal magnate takes a natural place but there is no longer any contradiction between his character as a prince and his character as God. He is, above all, an incarnation of Vishnu and his immediate purpose is to vanquish a particular tyrant and hearten the righteous. This viewpoint is maintained in the _Vishnu Purana_, another text of about the sixth century and is developed and illustrated in the tenth and eleventh books of the _Bhagavata Purana_. It is this latter text--a vast compendium of perhaps the ninth or tenth century--which affords the fullest account in literature of Krishna's story. [Footnote 3: Note 3.] [Footnote 4: Note 4.] [Footnote 5: A.L. Basham, _The Wonder that was India_, 245.] |
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