SENSUALITY THE ANTIPODE OF LOVE

The keynote of my first book lies of course in the distinction between
sensual love and romantic love. This distinction seemed to me so
self-evident that I did not dwell on it at length, but applied myself
chiefly to the task of proving that savages and ancient nations knew
only one kind, being strangers to romantic or pure love. When I wrote
(76) "No one, of course, would deny that sensual passion prevailed in
Athens; but sensuality is the very antipode of love," I never dreamed
that anyone would object to this distinction in itself. Great,
therefore, was my amazement when, on reading the London _Saturday
Review's_ comments on my book, I came across the following:

"and when we find Mr. Finck marking off Romantic Love not
merely from Conjugal Love, but from what he is pleased to
call 'sensuality,' we begin to suspect that he really does
not know what he is talking about."

This criticism, with several others similar to it, was of great use to
me, as it led to a series of studies, which convinced me that even at
the present day the nature of romantic love is not understood by the
vast majority of Europeans and Americans, many of them very estimable
and intelligent individuals.


THE WORD ROMANTIC

Another London paper, the _Academy_, took me to task for using the
word "romantic" in the sense I applied to it. But in this case, too,
further research has shown that I was justified in using that word to