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Mysticism in English Literature by Caroline F. E. Spurgeon
page 58 of 156 (37%)
momentarily, of a larger, fuller life, he drinks in vitality through
nature. The least blade of grass, he says, or the greatest oak, "seemed
like exterior nerves and veins for the conveyance of feeling to me.
Sometimes a very ecstasy of exquisite enjoyment of the entire visible
universe filled me."[25]

This great central Life Force, which Jefferies, like Wordsworth, seemed
at moments to touch, he, in marked contrast to other mystics, refuses to
call God. For, he says, what we understand by deity is the purest form
of mind, and he sees no mind in nature. It is a force without a mind,
"more subtle than electricity, but absolutely devoid of consciousness
and with no more feeling than the force which lifts the tides."[26] Yet
this cannot content him, for later he declares there must be an
existence higher than deity, towards which he aspires and presses with
the whole force of his being. "Give me," he cries, "to live the deepest
soul-life now and always with this 'Highest Soul.'"[27]

This thrilling consciousness of spiritual life felt through nature,
coupled with passionate aspiration to be absorbed in that larger life,
are the two main features of the mysticism of Richard Jefferies.

His books, and especially _The Story of my Heart_, contain, together
with the most exquisite nature description, a rich and vivid record of
sensation, feeling, and aspiration. But it is a feeling which, though
vivifying, can only be expressed in general terms, and it carries with
it no vision and no philosophy. It is almost entirely emotional, and it
is as an emotional record that it is of value, for Jefferies'
intellectual reflections are, for the most part, curiously contradictory
and unconvincing.

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