lyrical drama, whose abstruse symbolism has not yet been fully evolved or
explained, notwithstanding the vast number of commentators who have
labored at the task,--I might simply refer to that beautiful passage in
the twelfth chapter of Ecclesiastes, so familiar to every Mason as being
appropriated, in the ritual, to the ceremonies of the third degree, and in
which a dilapidated building is metaphorically made to represent the
decays and infirmities of old age in the human body. This brief but
eloquent description is itself an embodiment of much of our masonic
symbolism, both as to the mode and the subject matter.

In attempting any investigation into the symbolism of Freemasonry, the
first thing that should engage our attention is the general purport of the
institution, and the mode in which its symbolism is developed. Let us
first examine it as a whole, before we investigate its parts, just as we
would first view, as critics, the general effect of a building, before we
began to inquire into its architectural details.

Looking, then, in this way, at the institution--coming down to us, as it
has, from a remote age--having passed unaltered and unscathed through a
thousand revolutions of nations--and engaging, as disciples in its school
of mental labor, the intellectual of all times--the first thing that must
naturally arrest the attention is the singular combination that it
presents of an operative with a speculative organization--an art with a
science--the technical terms and language of a mechanical profession with
the abstruse teachings of a profound philosophy.

Here it is before us--a venerable school, discoursing of the deepest
subjects of wisdom, in which sages might alone find themselves
appropriately employed, and yet having its birth and deriving its first
life from a society of artisans, whose only object was, apparently, the