There is no expression in the German language exactly corresponding to
_stile empes�_; but the thing itself is all the more prevalent. When
combined with unnaturalness it is in works what affected gravity,
grandness, and unnaturalness are in social intercourse; and it is just
as intolerable. Poverty of intellect is fond of wearing this dress; just
as stupid people in everyday life are fond of assuming gravity and
formality.

A man who writes in this _prezi�s_ style is like a person who dresses
himself up to avoid being mistaken for or confounded with the mob; a
danger which a _gentleman_, even in his worst clothes, does not run.
Hence just as a plebeian is recognised by a certain display in his dress
and his _tir� � quatre �pingles_, so is an ordinary writer recognised by
his style.

If a man has something to say that is worth saying, he need not envelop
it in affected expressions, involved phrases, and enigmatical
innuendoes; but he may rest assured that by expressing himself in a
simple, clear, and na�ve manner he will not fail to produce the right
effect. A man who makes use of such artifices as have been alluded to
betrays his poverty of ideas, mind, and knowledge.

Nevertheless, it is a mistake to attempt to write exactly as one speaks.
Every style of writing should bear a certain trace of relationship with
the monumental style, which is, indeed, the ancestor of all styles; so
that to write as one speaks is just as faulty as to do the reverse, that
is to say, to try and speak as one writes. This makes the author
pedantic, and at the same time difficult to understand.

Obscurity and vagueness of expression are at all times and everywhere a