The Human Chord by Algernon Blackwood
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page 4 of 207 (01%)
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day in the far future, he knew, some wonderful girl would come into his
life, singing her own true name like music, her whole personality expressing it just as her lips framed the consonants and vowels--and he would love her. His own name, ridiculous and hateful though it was, would sing in reply. They would be in harmony together in the literal sense, as necessary to one another as two notes in the same chord.... So he also possessed the mystical vision of the poet. What he lacked--such temperaments always do--was the sense of proportion and the careful balance that adjusts cause and effect. And this it is, no doubt, that makes his adventures such "hard sayings." It becomes difficult to disentangle what actually did happen from what conceivably might have happened; what he thinks he saw from what positively _was_. His early life--to the disgust of his Father, a poor country squire--was a distressing failure. He missed all examinations, muddled all chances, and finally, with £50 a year of his own, and no one to care much what happened to him, settled in London and took any odd job of a secretarial nature that offered itself. He kept to nothing for long, being easily dissatisfied, and ever on the look out for the "job" that might conceal the kind of adventure he wanted. Once the work of the moment proved barren of this possibility, he wearied of it and sought another. And the search seemed prolonged and hopeless, for the adventure he sought was not a common kind, but something that should provide him with a means of escape from a vulgar and noisy world that bored him very much indeed. He sought an adventure that should announce to him a new heaven and a new earth; something that should confirm, if not actually replace, that inner region of wonder and delight he reveled in as a boy, but which education and conflict with a prosaic age had swept away from his nearer consciousness. He sought, that is, |
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