to the audience. The curious may be glad to learn that this leads
into a drawing-room, and incidentally affords one more means of
communication with the house. Another exit is provided on the
opposite side of the stage [left], where a couple of lofty French
windows lead out into the garden. Above the drawing-room door is a
fine old Jacobean mantel-piece: a fire burns brightly in the grate.
To the left of the main door at the back is a long, low, mullioned
window, through which one may see a blue sky, a thatched top or two
of cottages, and the gray old tower of the church. Through the
French windows are seen a gravel-walk, a lawn, trees, and a
sun-dial.

Of the essential furniture of the scene, there may be mentioned;
sideboard to right of main door; table, right-centre of stage, with
chairs; arm-chair by fireplace; settee, left, towards front; and a
long oak stool in the window.

The various properties are described or implied in the text of the
play.




THE SERVANT IN THE HOUSE

THE FIRST ACT

As the curtain ascends, Rogers and Manson are discovered laying the
table for breakfast, the lad being at the upper end of the table,
facing the audience, Manson, with his back to the audience, being