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English Prose - A Series of Related Essays for the Discussion and Practice by Unknown
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itself very easily into the biography of a few stout and earnest
persons.

Let a man then know his worth, and keep things under his feet. Let him
not peep or steal, or skulk up and down with the air of a charity-boy, a
bastard, or an interloper in the world which exists for him. But the man
in the street, finding no worth in himself which corresponds to the
force which built a tower or sculptured a marble god, feels poor when he
looks on these. To him a palace, a statue, or a costly book has an alien
and forbidding air, much like a gay equipage, and seems to say like
that, "Who are you, sir?" Yet they all are his, suitors for his notice,
petitioners to his faculties that they will come out and take
possession. The picture waits for my verdict; it is not to command me,
but I am to settle its claim to praise. That popular fable of the sot
who was picked up dead drunk in the street, carried to the duke's
house, washed and dressed and laid in the duke's bed, and, on his
waking, treated with all obsequious ceremony like the duke, and assured
that he had been insane--owes its popularity to the fact that it
symbolizes so well the state of man, who is in the world a sort of sot,
but now and then wakes up, exercises his reason and finds himself a true
prince.

Our reading is mendicant and sycophantic. In history our imagination
makes fools of us, plays us false. Kingdom and lordship, power and
estate, are a gaudier vocabulary than private John and Edward in a small
house and common day's work: but the things of life are the same to
both: the sum total of both is the same. Why all this deference to
Alfred and Scanderbeg and Gustavus? Suppose they were virtuous; did they
wear out virtue? As great a stake depends on your private act to-day as
followed their public and renowned steps. When private men shall act
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