versed in the Black Art, or how a [good] Christian [for such is the part
of the magician] should deal with the Devil.

To consider the Poets after the Conjurers, I shall give you a Taste of
the _Italian_, from the first Lines of his Preface.

'Eccoti, benigno Lettore, un Parto di poche Sere, che se ben nato di
Notte, non è però aborto di Tenebre, mà si farà conoscere Figlio
d'Apollo con qualche Raggio di Parnasso.

Behold, gentle Reader, the Birth of a few Evenings, which, tho' it be
the Offspring of the Night, is not the Abortive of Darkness, but will
make it self known to be the Son of Apollo, with a certain Ray of
Parnassus.'

He afterwards proceeds to call Minheer _Hendel_, [3] the _Orpheus_ of
our Age, and to acquaint us, in the same Sublimity of Stile, that he
Composed this Opera in a Fortnight. Such are the Wits, to whose Tastes
we so ambitiously conform our selves. The Truth of it is, the finest
Writers among the Modern _Italians_ express themselves in such a florid
form of Words, and such tedious Circumlocutions, as are used by none but
Pedants in our own Country; and at the same time, fill their Writings
with such poor Imaginations and Conceits, as our Youths are ashamed of,
before they have been Two Years at the University. Some may be apt to
think that it is the difference of Genius which produces this difference
in the Works of the two Nations; but to show there is nothing in this,
if we look into the Writings of the old _Italians_, such as _Cicero_ and
_Virgil_, we shall find that the _English_ Writers, in their way of
thinking and expressing themselves, resemble those Authors much more
than the modern _Italians_ pretend to do. And as for the Poet himself