hexameter. For among his Latin poems in the Oxford 'Musæ Anglicanæ' are
eighty or ninety lines of resonant Latin verse upon 'Machinæ
Gesticulantes, 'anglice' A Puppet-show.' Steele, taking life as he found
it, and expressing mirth in his own way of conversation, wrote an
English comedy, and took the word of a College friend that it was
valueless. There were two paths in life then open to an English writer.
One was the smooth and level way of patronage; the other a rough up-hill
track for men who struggled in the service of the people. The way of
patronage was honourable. The age had been made so very discerning by
the Romans and the French that a true understanding of the beauties of
literature was confined to the select few who had been taught what to
admire. Fine writing was beyond the rude appreciation of the multitude.
Had, therefore, the reading public been much larger than it was, men of
fastidious taste, who paid as much deference to polite opinion as
Addison did in his youth, could have expected only audience fit but few,
and would have been without encouragement to the pursuit of letters
unless patronage rewarded merit. The other way had charms only for the
stout-hearted pioneer who foresaw where the road was to be made that now
is the great highway of our literature. Addison went out into the world
by the way of his time; Steele by the way of ours.

Addison, after the campaign of 1695, offered to the King the homage of a
paper of verses on the capture of Namur, and presented them through Sir
John Somers, then Lord Keeper of the Great Seal. To Lord Somers he sent
with them a flattering dedicatory address. Somers, who was esteemed a
man of taste, was not unwilling to 'receive the present of a muse
unknown.' He asked Addison to call upon him, and became his patron.
Charles Montagu, afterwards Earl of Halifax, critic and wit himself,
shone also among the statesmen who were known patrons of letters. Also
to him, who was a prince of patrons 'fed with soft dedication all day