this, which occurred within a year of the close of Addison's life, was
the main subject of political difference between them. The bill,
strongly opposed, was dropped for that session, and reintroduced (after
Addison's death) in the December following, to be thrown out by the
House of Commons.

Steele's argument against the government brought on him the hostility of
the Duke of Newcastle, then Lord Chamberlain; and it was partly to
defend himself and his brother patentees against hostile action
threatened by the Duke, that Steele, in January, 1720, started his paper
called the 'Theatre'. But he was dispossessed of his government of the
theatre, to which a salary of £600 a-year had been attached, and
suffered by the persecution of the court until Walpole's return to
power. Steele was then restored to his office, and in the following
year, 1722, produced his most successful comedy, 'The Conscious Lovers'.
After this time his health declined; his spirits were depressed. He left
London for Bath. His only surviving son, Eugene, born while the
'Spectator' was being issued, and to whom Prince Eugene had stood
godfather, died at the age of eleven or twelve in November, 1723. The
younger also of his two daughters was marked for death by consumption.
He was broken in health and fortune when, in 1726, he had an attack of
palsy which was the prelude to his death. He died Sept. 1, 1729, at
Carmarthen, where he had been boarding with a mercer who was his agent
and receiver of rents. There is a pleasant record that

'he retained his cheerful sweetness of temper to the last; and would
often be carried out, of a summer's evening, where the country lads
and lasses were assembled at their rural sports,--and, with his
pencil, gave an order on his agent, the mercer, for a new gown to the
best dancer.'