What's the Matter with Ireland? by Ruth Russell
page 38 of 81 (46%)
page 38 of 81 (46%)
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Miss Pankhurst made an unexpected jump from her place. She wedged her way
to the line of soldiers. As she talked to two young Tommies they blushed and fiddled with their bayonets like girls with their first bouquets of flowers. Twice a British major admonished them. Miss Pankhurst, returning: "Welsh boys. Just babies. I asked them why they came out armed to kill fellow workers. They said they had enlisted for the war. If they had known they were to be sent to Ireland they would have refused to go. I told them it was not too late to act. They could take off their uniforms. But they? They're weak--weak." As dusk fell, party capes and tulle mists of head dresses began to appear between the drab or tattered suits of the bystanders. Among the coming reception guests was Susan Mitchell, co-editor with George Russell on _The Irish Homestead_. Susan Mitchell, of constable: "Can't I go through? No? But there's to be a party, and the tea will get all cold." In the courage of the crowd, the people began to sing The Soldiers' Song. It took courage. It was shortly after John O'Sheehan had been sentenced for two years for caroling another seditious lyric. A surge of sound brought out the words: "The west's awake!" Dying yokes. And a sudden right-about-face movement of the throng. Crowd shouting: "Up the Americans!" With Sinn Fein and American flags flying, the delegates' car rolled up to the outskirts of the crowd. A sharp order. The crowd-fearing bayonets lunged forward. Frank Walsh, looking through his tortoise-rim glasses at |
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