The Shadow of the Cathedral by Vicente Blasco Ibáñez
page 16 of 360 (04%)
page 16 of 360 (04%)
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them and occupied by others.
[Footnote 1: Door of the rolls, or loaves.] At last he decided to follow them, and slowly descended the same steps leading down into the cloister, for the Cathedral, being built in a hollow, is much lower than the adjacent streets. Everything appeared the same. There on the walls were the great frescoes of Bayan y Maella, representing the works and great deeds of Saint Eulogio, his preaching in the land of the Moors, and the cruelties of the infidels, who, with big turbans and enormous whiskers, were beating the saint. In the interior of the Mollete doorway was represented the horrible martyrdom of the Child de la Guardia; that legend born at the same time in so many Catholic towns during the heat of anti-Semitic hatred, the sacrifice of the Christian child, stolen from his home by Jews of grim countenance, who crucified him in order to tear out his heart and drink his blood. The damp was rapidly effacing this romantic fresco, that filled the sides of the archway like the frontispiece of a book, causing it to scale off; but Gabriel could still see the horrible face of the judge standing at the foot of the cross, and the ferocious gesture of the man, who with his knife in his mouth, was bending forward to tear out the heart of the little martyr; theatrical figures, but they had often disturbed his childish dreams. The garden in the midst of the cloister showed even in midwinter its southern vegetation of tall laurels and cypresses, stretching their branches through the grating of the arches that, five on each side, |
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