Punch, or the London Charivari, Volume 153, August 1, 1917. by Various
page 60 of 61 (98%)
page 60 of 61 (98%)
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_Fool Divine_ (HODDER AND STOUGHTON) stands to some extent in
a position unique among novels in that its heroine is also its villainess, or at least the wrecker of its hero. _Nevile del Varna_, the lady in question, is indeed the only female character in the tale, and has therefore naturally to work double tides. What happened was that young _Christopher_, a superman and hero, dedicate, as a volunteer, to the unending warfare of science against the evil goddess of the Tropics, yellow fever, met this more human divinity when on his journey to the scene of action, and, like a more celebrated predecessor, "turned aside to her." Then, naturally enough, when _Nevile_ has gotten him for her husband and when love of her has caused him to abandon his project of self-sacrifice, she repays him with scorn. And as the unhappy _Christopher_ already scorns himself the rest of the book (till the final chapters) is a record of deterioration more clever than exactly cheerful. The moral of it all being, I suppose, that if you are wedded to an ideal you should beware of taking to yourself a mortal wife, for that means bigamy. Incidentally the book contains some wonderfully impressive pictures of tropical life and of the general beastliness of existence on a rubber plantation. At the end, as I have indicated, regeneration comes for _Christopher_--though I will not reveal just how this happens. There is also a subsidiary interest in the revolutionary affairs of Cuba, which the much-employed _Nevile_ appears to manage, as a local Joan of Arc, in her spare moments; and altogether the book can be recommended as one that will at least take you well away from the discomforts of here and now. * * * * * [Illustration: TALE OF A GREAT OFFENSIVE. |
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