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Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. by Clara Erskine Clement
page 23 of 448 (05%)
Anne Carlisle are spoken of as English artists, and a few English women
were miniaturists. Among these was Susannah Penelope Gibson, daughter of
Richard Gibson, the Dwarf. While these women were not wanting in
artistic taste, they were little more than copyists of the Dutch artists
with whom they had associated.

* * * * *

In the early years of the seventeenth century there were a number of
Danish women who were painters, engravers, and modellers in wax. The
daughter of King Christian IV., Elenora Christina, and her daughter,
Helena Christina, were reputable artists. The daughter of Christian V.,
Sophie Hedwig, made a reputation as a portrait, landscape, and flower
painter, which extended beyond her own country; and Anna Crabbe painted a
series of portraits of Danish princes, and added to them descriptive
verses of her own composition.

* * * * *

The Art of Spain attained its greatest glory in the seventeenth
century--the century of Velasquez, Murillo, Ribera, and other less
distinguished but excellent artists.

In the last half of this century women artists were prominent in the
annals of many Spanish cities. In the South mention is made of these
artists, who were of excellent position and aristocratic connection. In
Valencia, the daughter of the great portrait painter Alonzo Coello was
distinguished in both painting and music. She married Don Francesco de
Herrara, Knight of Santiago.

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